"Once a little boy sent me a charming card with a little drawing on it. I loved it. I answer all my children’s letters — sometimes very hastily — but this one I lingered over. I sent him a card and I drew a picture of a Wild Thing on it. I wrote, ‘Dear Jim: I loved your card.’ Then I got a letter back from his mother and she said, ‘Jim loved your card so much he ate it.’ That to me was one of the highest compliments I’ve ever received. He didn’t care that it was an original Maurice Sendak drawing or anything. He saw it, he loved it, he ate it."

This wonderful anecdote about Maurice Sendak captures just about everything that made his work and spirit great. 

Related, remember him with his last video interview, by none other than Stephen Colbert, and his unreleased drawings.

(via explore-blog)

Holly Leaf Color Reflections by Richard Shilling. 
http://richardshilling.co.uk/index.html

Holly Leaf Color Reflections by Richard Shilling.
http://richardshilling.co.uk/index.html

Richard Shilling’s land art, http://richardshilling.co.uk/index.html
Just exquisite.

Richard Shilling’s land art, http://richardshilling.co.uk/index.html
Just exquisite.

austinkleon:

Jenny Odell, “Every Basketball Court in Manhattan,” part of her Satellite Collections (images cut from Google Satellite View)


  From this view the lines that make up basketball courts and the scattered blue rectangles of swimming pools become like hieroglyphs that read: people were here.


Jenny’s a fellow 20x200 artist — my friend Hawk linked to this nice interview with her. Like what she says here about reuse:


  It’s a stance you take. You can either be overwhelmed, or you can turn it around and use the information and data to make something. Re-use turns the whole thing around.


She has a Tumblr here.

Filed under: Google art.

austinkleon:

Jenny Odell, “Every Basketball Court in Manhattan,” part of her Satellite Collections (images cut from Google Satellite View)

From this view the lines that make up basketball courts and the scattered blue rectangles of swimming pools become like hieroglyphs that read: people were here.

Jenny’s a fellow 20x200 artist — my friend Hawk linked to this nice interview with her. Like what she says here about reuse:

It’s a stance you take. You can either be overwhelmed, or you can turn it around and use the information and data to make something. Re-use turns the whole thing around.

She has a Tumblr here.

Filed under: Google art.

artpropelled:

Jennifer Jeannelle

artpropelled:

Jennifer Jeannelle

Newspaper blackout poem inspired by Austin Kleon.

Newspaper blackout poem inspired by Austin Kleon.

leslieavonmiller:

presence (by mensaka)

leslieavonmiller:

presence (by mensaka)

For all of the brave souls that lost their lives…

For all of the brave souls that lost their lives…

gnomesweetgnome:

Ten Years Later: A Tribute 9/11
My favorite 9/11 tribute in New York City can be found in Bryant Park. 2,819 empty chairs on the lawn facing the site where the World Trade Center once stood, one chair for every life lost. The number of empty chairs captures the enormity of the lives lost and the stark emptiness of it just drives home the point that I hope is never forgotten. 2,819 people were here one moment and gone the next. 2,819 went to work or boarded a plane one morning ten years ago thinking it would be another ordinary day and they never came home.

(via kevin)

thenearsightedmonkey:

Page 1 of 3 “‘What It Is’ out-take: first draft of what later became “Two Questions” by Lynda Barry.

thenearsightedmonkey:

Page 1 of 3 “‘What It Is’ out-take: first draft of what later became “Two Questions” by Lynda Barry.

Tags: Lynda Barry Sh

austinkleon:

Why Jean-Michel Basquiat crossed out words:

I cross out words so you will see them more: the fact that they are obscured makes you want to read them.

Screenshot from the great documentary, Jean-Michel Basquiat: Radiant Child

austinkleon:

Why Jean-Michel Basquiat crossed out words:

I cross out words so you will see them more: the fact that they are obscured makes you want to read them.

Screenshot from the great documentary, Jean-Michel Basquiat: Radiant Child

"Perfection leads to procrastination which leads to paralysis."

— my daily mantra of late…..

"Le mieux est l’ennemi du bien or
best is the enemy of good…."

— My lovely friend Margaret who knows I have the curse of perfection.

Denis Oliver’s work.

Denis Oliver’s work.